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How To Download Movie Box 2016
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With a record $11.4 billion in domestic box office revenue reported by Comscore for 2016, the continued relevance and viability of the theatrical experience remains unquestioned. To wit, 28 films eclipsed the $100 million mark in total revenue in 2016 vs. 27 in the previous year, while eight films earned more than $100 million in their opening weekend in 2016 vs. six such debuts in 2015.
A wide assortment of movies from every major studio on the blockbuster side of the ledger and an auspicious crop of smaller scale films brought enthusiastic patrons to movie theaters across the U.S. and Canada throughout the year, giving the industry its biggest overall revenue in North American box office history.
Hollywood built a wild roller-coaster ride at the multiplex in 2016, with films from every genre sparking interest from a very vocal and engaged social media-savvy audience. Forgetful fish, super-heroes and space travelers led the charge in a year that was marked by an incredibly diverse selection of films from every genre and of every size and scope from all the studios. This sparked an extraordinary level of enthusiasm by patrons who flocked to state-of-the-art movie theaters around the globe.
The Angry Birds Movie (also known simply as Angry Birds) is a 2016 computer-animated comedy film based on Rovio Entertainment's video game series of the same name, co-produced by Columbia Pictures and Rovio Animation, and distributed by Sony Pictures Releasing. The film was directed by Clay Kaytis and Fergal Reilly (in their directorial debuts), from a screenplay written by Jon Vitti, based on a story by Mikael Hed, Mikko Pöllä, and John Cohen. It stars the voices of Jason Sudeikis, Josh Gad, Danny McBride, Maya Rudolph, Kate McKinnon, Sean Penn, Tony Hale, Keegan-Michael Key, Bill Hader, and Peter Dinklage. The film follows Red, a resident in an island of anthropomorphic birds, as he suspects the newly arrived crew of pigs of plotting an evil plan, and attempts to put a stop to them with the help of his newly-formed friends.
The Angry Birds Movie was released in the United States and Canada on May 20, 2016, by Columbia Pictures. The critical consensus on Rotten Tomatoes calls it more entertaining than expected for a film based on an app, but the responses are mixed. The film was a commercial success, grossing $352 million worldwide. A sequel, The Angry Birds Movie 2, was released on August 14, 2019, with Sony Pictures Animation (who were not involved with this film) co-producing.
The film was initially scheduled to be released on July 1, 2016,[41] but was later moved forward to May 20.[42] The film was released in Finland on May 13, 2016, and in the United States on May 20, 2016 in RealD 3D and 4DX.[42] An animated short film titled The Early Hatchling Gets the Worm was shown alongside the film in selected theaters.[43]
The Angry Birds Movie was released on digital HD on July 29, 2016, and on Blu-ray, 4K/3D Blu-ray, and DVD on August 16, 2016 by Sony Pictures Home Entertainment, with four "Hatchlings" shorts included.[44][45][46][47][48] The film topped the home video sales chart for the week ending on August 21, 2016.[49]
In August 2016, Rovio had begun working on a sequel to the film.[75] The sequel, titled The Angry Birds Movie 2, was released in the United Kingdom and Ireland on August 2, 2019 and later on August 14 in the United States, coinciding with the tenth anniversary of the original game.[76][77][78] It was directed by Thurop Van Orman and John Rice. Cohen returned as producer, with Peter Ackerman, Eyal Podell, and Jonathon E. Stewart as writers. Sudeikis, Gad, Hader, McBride, Dinklage, Rudolph, Hale, and Padilla returned to voice their roles, with Nicki Minaj, Rachel Bloom, Sterling K. Brown, Eugenio Derbez, Zach Woods, Awkwafina, Lil Rel Howery, Dove Cameron, Beck Bennett, Tiffany Haddish, Brooklynn Prince, and Leslie Jones joining the cast.[79][80]
Deloitte Global predicts that the value of movie theater admissions in the US and Canada will fall by about three percent in 2016, to about $10.6 billion, with about 1.3 billion tickets sold. It is impossible to forecast beyond that with any precision: box office is so dependent on the slate of movies released. Since 2007, the trend has been for the five highest-grossing five films to generate over 40 percent of the box office, which accounts for most of the year-on-year volatility.
Spending on making movies should assume flat-to-down theatrical revenues, but with an ever-increasing focus on franchises and sequels. Seven of the top 10 movies in 2015 were in this category, and the expected outlook for 2016 is for continued dominance. Sequels and franchises tend to be lower risk, and also enjoy better international success than standalone films. As of late 2015, Hollywood had 157 movie sequels in the works.
Deloitte Global predicts that the value of movie theater admissions in the US and Canada will fall by about three percent in 2016, to about $10.6 billion, with about 1.3 billion tickets sold. It is impossible to forecast beyond that with any precision: box office is so dependent on the slate of movies released. Between 1996 and 2015, the annual box office revenue change is nearly random, although it has never gone up by more than 10 percent or fallen by more than six percent and the number of tickets sold has never gone up by more than 12 percent or fallen by more than six percent. Given that, we expect average annual revenue growth in the near-term to be about one percent, but within a range of plus or minus 10 percent, and the number of tickets sold to decline about one percent per year. Box office dollars are likely to grow, but at a minimal pace, and are actually likely to decline (also at a minimal pace) if inflation is taken into account.
The annual movie box office is driven heavily by the fortunes of the top five blockbusters. The popularity of these films accounts for most of the year-on-year volatility. Since 2007, the trend has been for the five highest-grossing films to generate over 40 percent of the box office (see Figure 1). In 2014 the top five fared poorly and the box office fell five percent. Last year was better, up a forecast eight percent. 2016 may surprise, but at time of writing one industry forecast is for a slightly weaker slate of blockbusters, and therefore a decline, although not as bad as 2014.
As stated previously, between 1995 and 2015 annual revenues for the US and Canadian box office (called the North American box office by the movie industry, although it does not include Mexico) fluctuated in a relatively narrow range of up 10 percent and down 6 percent. Although the effects of inflation have been small in any given year, the cumulative effect over 20 years is that a box office dollar in 1995 is worth $1.57 in 2015. A chart of box office revenues in constant dollars and also the number of tickets sold shows a clear picture: both admissions and constant dollar revenues grew from 1995 to 2002, and since then both inflation-adjusted revenues and admissions have fluctuated, but are in slow decline. From 2002 to 2015, admissions have fallen from 1.55 billion to 1.33 billion, or an annual compounded rate of 1.17 percent, while revenues declined at a 0.79 percent compound rate in constant 2014 dollars, from $12.03 billion to $10.85 billion, see Figure 2.
The revenue impact has been mitigated, even in constant dollar terms, as US movie ticket prices have risen slightly faster than inflation, in part due to a mix with more expensive 3D and large format movies (such as IMAX). The average ticket in 1995 was $4.59 in 1995, and $8.17 in 2014, but in constant 1995 dollars the 2014 number is $5.27, which is annual price growth of almost exactly one percent above inflation.
It seems likely that the greater ease and accessibility of legal and illegal movie streaming or downloading has had an effect on movie box offices. One estimate of the cost of piracy to the US studios was $6.1 billion a year. What was a growth industry to 2002 is now marked by annual fluctuations around a slow decline. And although the dollar value of admissions has been relatively stable, the decline in terms of tickets is steeper: compared to a 0.8 percent decline in constant dollars for 2002-2015, the number of tickets sold has declined about twice as quickly at 1.5 percent annually.
That is still not the kind of erosion seen in many other traditional media, but given that movie theater owners make money from both admissions and concessions, the number of tickets matters a lot. Concession revenues are about 45 percent as the amount of the money from admissions, but they are an even larger source of profits, with margins of about 85 percent.
Importantly, the stability of movie admissions is not being driven by older audiences, in the way that TV viewing is, where younger viewers watch about half as many hours per day as people aged 65 or over. The average North American aged 2 or over attended just under four movies per year in 2015, while the average 12-24 year old went to 6.3 movies. Yes, they are consuming movies on YouTube, iTunes application program, Netflix and illegal streaming/download sites, but they continue to over-index on cinema-going as well, citing the ability to socialize with friends and the big screen experience. 2ff7e9595c
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